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Starting a pool hall business is overwhelming and can be very expensive if you don't plan properly. One of the most significant costs associated with launching a billiard hall business is the purchase of high-quality pool tables and equipment. The project included a new brick building for heating equipment. The building and art collection prompted Frick to create his own mansion and art collection, today a public museum known as the Frick Collection. By the early 1980s, nine of the house's rooms were open to the public. Pinewood is very green and community spirited and public transportation is encouraged. The project was to include renovations of the roof and front balcony, as well as repairs and acquisitions of furniture, which would be partially funded by $700,000 earned from the sale of the 1775 manuscript. In 2014, an intern discovered a draft of the 1775 Olive Branch Petition while cleaning out the mansion's attic.

In spite of high crime rates in the surrounding neighborhood, the mansion's curator said in the late 1980s that the museum was largely unaffected by crime because of several security measures. The main house is cited as measuring 52.67 by 38.5 feet (16.05 by 11.73 m) across, while the "hyphen" measures about 8 by 6 feet (2.4 by 1.8 m). The rear annex is approximately 21 to 22 feet (6.4 to 6.7 m) wide and 30 to 32 feet (9.1 to 9.8 m) deep. Extending west from the southern section's hallway was the art gallery, measuring 32 by 48 feet (9.8 by 14.6 m). William Henry Shelton, the museum's curator during the 1920s, reported that many visitors came from the West and Midwest (where few or no Revolutionary War-era structures existed) and that the museum was also popular among teachers and Francophones. Kady Brownell, an American Civil War veteran, was the museum's first custodian. The museum's curator at the time, Mrs. LeRoy Campbell, said most visitors came to the mansion because of their interest in Jumel's life. Ward estimated that, in 2016, the museum may have seen a 75 percent increase in visitors because of the musical. Carpenters and masons from the area may have constructed the mansion.

Thach, Joanna May (June 19, 1983). "Leisure; Gardens in Historic Settings Can Guide Amateur Restorers". Tao, Dominick (June 23, 2009). "Manhattan's Oldest House". June 23, 2009. p. Trager, Cara S. (October 26, 2009). "Home Maintenance". October 11, 1936. p. May 11, 1882. p. September 11, 1896. p. Atkins, Clarence (September 10, 1998). "Jazz Lives at the Mansion". September 20, 1900. p. February 20, 1927. p. The project added a stairway to the basement on the east, as well as areaways along the western half of the house. Although early historians claimed that the portico was added to the house in the 19th century, the portico was likely built along with the rest of the mansion. By the end of the 20th century, the mansion and surrounding area were frequented by buses carrying European and Japanese tourists, prompting complaints from local residents. Later on, Eliza Jumel set up a dais in the drawing room near the end of her life, where she would "see" imaginary guests with royal titles.

There is a two-story octagonal annex with a drawing room at the rear of the mansion, which may be the first of its kind in the U.S. All of the facades are covered with planking except for the eastern wall of the main mansion, which is covered with shingles. The urban mansion, completed in 1882 to designs by John B. Snook and Charles B. Atwood, was owned by members of the Vanderbilt family. Snook and Atwood had originally planned to face the building in light Ohio limestone with red and black limestone trim. Because there is a caretaker's apartment in the house, it is also Manhattan's oldest building that is still technically in residential use. In addition, a room in the Lord & Taylor Building was decorated in 1976 with furnishings resembling that of the mansion's rooms. Another room was decorated in rosewood inlaid with mother-of-pearl; it was meant for another of W.H. A butler's pantry was located off the dining rooms, while a billiards room was in the rear of the double residence. William Henry Vanderbilt had commissioned the mansion in part to provide space for his paintings, as well as a residence for his two daughters.

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